Cotton Mather and the Connecticut Triton

Many of you are probably familiar with Cotton Mather, the 17th century Puritan minister. Mather was born in Boston in 1663, and was the son of Increase Mather, the city’s leading minister. Cotton attended Harvard, entering at age eleven and a half, making him the youngest person to attend the university. (Thanks for that tidbit, Wikipedia!) Clearly, he was a smart person. After graduating, he followed in his father’s footsteps and became a minister, serving with him as co-pastor of Boston’s most prominent church. 

During the 1692 Salem witch trials, the colony’s political leaders asked Cotton Mather for his opinion on witchcraft. They wanted some guidance on what types of evidence were acceptable, and to know if witchcraft was even real. Mather replied that witchcraft was indeed real, and that execution was an appropriate punishment for the most dangerous witches. He did tell the judges to proceed with caution and be careful with the types of evidence they accepted, but he otherwise said the Salem trials were valid. He maintained this position even after most other people in Massachusetts realized no witches were being executed, just innocent people. 

Ultimately, nineteen people were executed during the Salem trials, one man was crushed to death during questioning, and several people died in jail. Some, or maybe many, of those deaths might have been avoided if Cotton Mather had given the magistrates a different opinion.

Cotton Mather was twenty-nine in 1692. I had a lot to learn about life when I was twenty-nine, and it's pretty obvious that Cotton Mather did too. Luckily, no one was asking me to make life-or-death decisions, or maybe I would have screwed up like he did. Mather's misjudgment about the Salem trials tainted his reputation for the rest of his life. He expected to become president of Harvard, like his father was, but that didn't happen. A shadow hung over him until he died, and still hangs over our memory of him today. 

Despite Mather’s superstitious and ignorant beliefs about witches, he was also one of the best-educated people in Massachusetts and was very interested in science. In 1721, he even helped to start an inoculation campaign in Boston against smallpox, one of the first in the Western world. Most of Boston's physicians violently opposed the campaign, but it turned out to be a resounding success. It's odd to think of Mather as the voice of scientific reason, but in that situation he was.

Mather also wrote dozens of letters to the Royal Society, England’s national academy of sciences, describing interesting phenomena in New England. Some of his letters discussed topics that today we might think of as appropriately scientific, like local New England wildlife (snakes, muskrats, moose), people suffering from unusual medical conditions, and earthquakes. Other letters covered somewhat stranger topics, such as prophetic dreams, ghosts, and a calf born with a human face. The boundaries between science, religion, and magic were poorly delineated at the time, and Cotton Mather was not alone in mixing these topics together. 

One letter, which he wrote in July of 1716, describes a triton, or what we might call a merman. In the letter, Mather writes that he doubted the existence of merfolks until learning about three men who had seen a triton off the coast of Connecticut. On February 22, 1716, the men had been sailing from Milford to Branford when they saw a “creature that seemed a man, lying on the top of a rock” close to the Branford shore. 

“… his head, and face, and neck, and shoulders, and arms, and elbows, and breast and back, all of a human shape, only his arms were little more than half the length of a man’s. He wanted not for hair, which was of a grayish color. However – desinit in piscem (Latin – “it ends in a fish”); his lower parts were those of a fish, and colored like a mackerel. His tail was forked, and he had two fins about a half foot above the tail. The whole animal was about five or six feet in length.” 

That's a very vivid and specific description. Was this a hoax played on Cotton Mather, or did the men actually see something strange on that rock? Or maybe they misidentified a large seal or some other creature? My mind tries to find a rational explanation, but here in the 21st century we're more skeptical about the existence of mermen and mermaids. People were still learning how the physical world worked back in the 17th century and were more willing to believe strange, half-human creatures lurked in the ocean.

It’s interesting that Cotton Mather considered the triton an animal, rather than a mythical being, a monster, or some kind of sea-demon. I suppose he was trying to be scientific, and not superstitious. I’m sure he would have liked to study the triton, but he did not get the opportunity. The men who saw the triton attempted to capture it, but it jumped off the rock and quickly swam away. 

The truth about the Connecticut triton will never be known. Was there a scientific explanation, or a supernatural one? It's fun to speculate there might supernatural creatures like tritons. That type of speculation is less fun when those "supernatural" creatures are innocent people being accused of witchcraft. 

Haunted by the Nantucket Mermaid

This post is about a mermaid who has fascinated, and possibly haunted, people for centuries. But I want to start by talking about a human man: Ichabod Paddock. 

Ichabod Paddock was born around 1661 in Yarmouth, Massachusetts, and died around 1750. He's buried in Middleborough, Massachusetts. Paddock is remembered today for two things: his pioneering role in the Nantucket whaling industry, and his alleged extramarital affair with a mermaid. As a whaling pioneer, Ichabod came with his two brothers to Nantucket in 1690 and taught the islanders how to hunt whales. Their actions were instrumental in making Nantucket into the whaling capital of the world. 

Oddly, we have more details about his alleged (and probably legendary) affair with the mermaid than we do about his actual life as a whaler. The legend goes something like this. Once while on a whaling voyage, Ichabod was swallowed alive by a large, seemingly invulnerable whale nicknamed Crookjaw. The local whalers thought Crookjaw was somehow magical, and this was confirmed by what Ichabod found inside the creature's stomach. Rather than digestive fluids and half-eaten fish, Paddock found a cozy ship's cabin with lit lanterns, a luxurious featherbed, and a table. Two people - a beautiful, golden-haired mermaid and the Devil himself - were playing cards at the table when Ichabod arrived. 

Engraving from 1817 by John Paas

The mermaid won the game, and the Devil angrily disappeared in a flash of sulfurous smoke. "What were you playing for?" Ichabod asked. "We were playing for you," the mermaid said, "and I'm glad I won." She took Ichabod by the hand and led him to the bed, where they made passionate love for hours. 

Ichabod eventually emerged from Crookjaw's mouth and swam back to his ship, but the next day he again commanded the crew to sail to the magical whale so he could enjoy more of the mermaid's loving embraces. After several hours he emerged from the whale and returned to his ship, only to sail back to Crookjaw and the mermaid the next day, and the next after that. Ichabod's passion for the beautiful mermaid was insatiable. 

Eventually, news of Ichabod's strange extramarital affair reached his wife, Joanna. Ichabod was a formidable whaler, but Joanna was equally formidable in her own way. Since both Crookjaw and the mermaid were magical creatures, Joanna asked a local silversmith to craft a silver-tipped harpoon. At the time, silver was believed to have the power to harm magical creatures like witches, mermaids, and even invulnerable whales like Crookjaw. Vestiges of this belief still remain today, with the idea that werewolves and vampires can be killed with silver bullets. 

Joanna presented the silver-tipped harpoon to Ichabod as a gift. He accepted it, and although he was a formidable whale-killer and mermaid-lover, he apparently wasn't bright enough to realize that silver  could kill enchanted whales and the lustful mermaids who live in them. At the urging of his crew, Ichabod hurled the silver-tipped harpoon at Crookjaw, expecting it to bounce off the whale's impenetrable hide. Instead, it sunk deep into the body of Crookjaw, who died with a groan and a geyser of blood. 

Ichabod screamed in horror, incredulous at what he had done. What had happened to his beloved mermaid? When the crew butchered the whale's body, nothing was found inside its stomach except some long yellow seaweed that reminded them of a woman's hair. The beautiful mermaid was gone. 

In 1710 Ichabod and his wife left Nantucket and returned to mainland Massachusetts, eventually having nine children. According to author Nathaniel Philbrick, little else is really known about the life of Ichabod Paddock. His legendary encounter with the mermaid has lived on, though, and is still surprisingly resonant with some people today. 

For example, the book The Ghosts of Nantucket: 23 True Accounts (1984) contains the following story which a Nantucket woman told author Blue Balliett. The woman came from an old Nantucket family, and went to visit the Nantucket Whaling Museum with her sister who was visiting the island. While touring the museum, the woman became entranced by a painting of a young man. She had the strange feeling that she somehow knew him, and had been in an intimate relationship with him, similar to a marriage. She said:

"I was held by a magnetism of some kind that was so strong I couldn't move. It wasn't that I was objectively interested in him, or thought I saw a family resemblance of some kind. It was rather that he had an iron grip on me." (Blue Balliett, The Ghosts of Nantucket: 23 True Accounts, (1984), p.62)

The woman remained staring at the painting, immobilized, until her sister came and shook her arm, asking if something was wrong. This ended the trance.

 A mermaid illustration from 1687

The woman later went to visit her minister, and told him about her strange encounter with the painting. The minister explained that it was a portrait of Ichabod Paddock, who had fallen in love with a mermaid who was killed by a silver harpoon. The woman felt dizzy as she heard the story, because ever since she was a young child she'd had a weird "recurrent memory" that popped into her head like a daydream:

"It goes like this: I remember being in pitch darkness and having an excruciating pain in my side as I swim back and forth, back and forth, in black water. I also remember phosphorescence around me, the kind you see in the ocean on a dark night. I always thought it was peculiar, and I used to tell myself that maybe it was a memory of being inside the womb or something." (Blue Balliett, The Ghosts of Nantucket: 23 True Accounts, (1984), p.62)

Her encounter with Ichabod's portrait seemed eerily meaningful to her as she listened to the minister talk. Were these daydreams memories of a past life? Was she somehow the mermaid, reincarnated in 20th century Nantucket? She wasn't sure, but for months afterward she had a craving (which she resisted) to revisit the museum to see the portrait, and would wake up in the middle of the night seeing Ichabod Paddock's face floating above her bed. 

Perhaps it was just coincidence that this woman's unusual, recurring dream fit so well with the mermaid legend. That's what I thought, until I received an email from a young woman who is a member of the Paddock family, which still exists today. Like the woman in The Ghosts of Nantucket, she also feels a strange connection to the legendary mermaid, writing that "In my mythos, I am the mermaid who was given the opportunity to reincarnate because of winning half of Ichabod's soul." 

About two years later, I received an email from a man who was also a Paddock, telling me that his daughter felt a powerful connection to the mermaid legend, that she had a large mermaid tattoo on her back, and that she often dreamt of being a mermaid. I arranged to talk with him and his daughter, who it turned out was the young woman who had already emailed me. We had a nice conversation over Zoom, and I learned a lot about their family history and connection to the mermaid story. I didn't get the impression that either the young woman or her father literally believed she was the reincarnated mermaid, but rather that the mermaid was a source of family pride and artistic inspiration. 

Unlike the woman quoted in Ghosts of Nantucket, this young woman didn't feel upset or scared by the legend. Neither did her father. They thought the the legend was an interesting part of their family's genealogy. I don't blame them. Many people descended from old New England families have witches in their family tree, but only a few have a mermaid.

Mermaids aren't just cute cartoons, like Ariel in The Little Mermaid, or sexy fantasy figures, like you might see online. Mermaids are the modern iteration of ancient ocean spirits. They are elemental beings personifying the vast and unknowable waters that cover most of our planet. The ancient Greeks knew them as nereids and oceanids, the nymphs who lived in the seas and ocean. Nymphs were powerful godlike beings who were feared and petitioned for their blessings. Mermaids may also partly have their origin in stories about the Sirens, seductive female monsters that lured sailors to their doom. The seductive and possible devilish Nantucket mermaid certainly seems to share some traits with the Sirens. 

You may not believe in mermaids, just like you may not believe in invulnerable magic whales like Crookjaw. But you can't deny the hold mermaids still have on our imagination. They may not be seen in the ocean as often as they once were, but they still haunt our dreams and subconscious. 

Folklore and Pagan Gods in The Lighthouse

My work schedule has been very busy the last few weeks, but I did manage to see The Lighthouse, the new film by Robert Eggers, the New Hampshire-born director who gave us The Witch a few years ago. My review is a little delayed but I wanted to post it anyway because The Lighthouse has some interesting New England folklore in it. Be warned: my review has a few (but not many) SPOILERS.

THE PLOT

The plot is relatively simple. In the late 1800s, two lighthouse keepers (or wickies as they're called) arrive for duty at a lighthouse located on a small rocky island off the coast of Maine. The older wickie, Thomas Wake (Willem Dafoe) has served on the island many times before. His new assistant, Ephraim Winslow (Robert Pattinson) is a former lumberjack reporting for his first stint in a lighthouse. When asked what happened to his previous assistant, Wake replies that he went insane and became convinced the lighthouse was enchanted and that merfolk haunted the island. Oh, and by the way Wake adds, never kill a seabird because they contain the souls of dead sailors.

 

After this ominous set-up the two men settle into a monotonous routine. As the senior lighthouse keeper Wake tends to the actual light itself, a role he guards jealously. He forbids Winslow from even entering the chamber at the top of the lighthouse and instead assigns to him all the manual labor: hauling coal, cleaning their tiny living quarters, and emptying bedpans. Winslow grows to resent his poor treatment, and his unhappiness is only compounded by a one-eyed seagull that regularly torments him. Winslow's sole pleasure is a scrimshaw mermaid he finds hidden in his mattress which fuels his sexual fantasies.

Over the course of their four-week stint the two men gradually come to an understanding, but things become complicated when the ship that is supposed to bring their replacements is delayed by a powerful storm. The men are stuck on the island. The storm lasts for weeks, and when their liquor runs out Wake and Winslow start to drink kerosene sweetened with honey. And that's when things start to get really weird...

DIALECT AND KILLING A SEABIRD

As he did with The Witch, Robert Eggers incorporates local folklore into his film to make it feel authentic. Much of the dialogue was influenced by 19th-century writers including Sarah Orne Jewett, whose novels and stories were drawn from her experience living in Maine. I've read that Eggers used Jewett's work to craft the two distinct dialects the lighthouse keepers speak: Wake's nautical one and Winslow's inland Maine dialect. I think Willem Dafoe has the easier job, since he basically gets to talk like a pirate or Mr. Crabs from Spongebob Squarepants. Robert Pattinson, on the other hand, has to speak with an accent somewhere between a classic Boston accent and the "Yah cahn't theyah from heyah" Mainer accent. He does a good job though, and I enjoyed hearing him deliver his dialogue.

  

One of the key plot points is Wake's admonition to never kill a seabird. This is an actual piece of nautical folklore although I think it is particularly local. Many people are familiar with it from Samuel Taylor Coleridge's poem The Rime of the Ancient Mariner, where a ship becomes cursed after a sailor kills an albatross. According to this article the belief was still extant as late as 1959, when sailors transporting an albatross in a cage blamed various malfunctions on the bird's accidental death.

However, there is one possible link to Maine's folklore. Maine lumberjacks believed that is was bad luck to kill gray jays (also known as gorbeys), which were small birds that frequented lumber camps. They were said to be the souls of dead lumberjacks, and hurting a gray jay would bring grave misfortune. In one tale a brutish lumberjack plucks the feathers from a gray jay on a cold winter night, thinking it is the soul of a deceased colleague that he despised. When he awakes in the morning he finds he finds himself bald, weak, and constantly pursued by stormy weather. He had plucked the feathers from his own soul.

MERFOLK

The island in The Lighthouse may be haunted by a mermaid. I won't give away too much, but if it is she's definitely not the happy Little Mermaid variety. There are quite a few mermaid and merman stories from New England, and none of them are happy. They're much closer to horror stories than fairy tales.

 

One of the earliest comes from John Josselyn's 1674 book An Account of Two Voyages to New England. Josselyn, an Englishman, visited New England in 1633 and 1638. While visiting Maine some of the settlers told him about strange things that had happened to them.

One Mr. Mittin related of a triton or merman which he saw in Casco Bay. This gentleman was a great fowler, and used to go out with a small boat or canoe, and fetching a compass about a small island (there being many small islands in the bay), for the advantage of a shot, was encountered with a triton, who laying his hands upon the side of the canoe, had one of them chopt off with a hatchet by Mr. Mittin, which was in all respects like the hand of a man. The triton presently sunk, dyeing the water with his purple blood, and was no more seen.

Gruesome. Merfolk were generally believed to be aggressive, and an almost identical encounter with a violent merman supposedly happened in Gloucester Harbor in Massachusetts, according to author Edward Rowe Snow. 

Snow also claims that in 1900 a lighthouse keeper at Nantucket's Great Point saw something humanoid emerge from the ocean and crawl into the woods near the beach. Other people who lived nearby saw signs that something large had crawled through the underbrush and made a nest. It's kind of creepy. The plot of The Lighthouse might not be that far from reality (or at least folklore). 

PAGAN GODS

There are several references to classical Greek and Roman gods in The Lighthouse. The myth of Prometheus, the Titan who was punished for stealing fire from Mount Olympus, is alluded to throughout the movie, as is the myth of Proteus, the shapeshifting Old Man of the Sea. I was also struck by this curse that Wake hurls at Winslow when the younger man complains about Wake's cooking:

WAKE: Hark, Triton, Hark! Bellow, and bid our father, the sea king, rise up from the depths, full-foul in his fury, black waves teeming with salt-foam, to smother this young mouth with pungent slime... 

(addressed directly to Winslow)... to choke ye, engorging yer organs till ye turn blue and bloated with bilge and brine and can scream no more... only when, he, crowned in cockle shells with slithering tentacled tail and steaming beard, takes up his fell, be-finnèd arm -– his coral-tined trident screeches banshee-like in the tempest and runs you through the gullet, bursting ye, a bulging bladder no more, but a blasted bloody film now -- a nothing for the Harpies and the souls of dead sailors to peck and claw and feed upon, only to be lapped up and swallowed by the infinite waters of the dread emperor himself, forgotten to any man, to any time, forgotten to any god or devil, forgotten even to the sea... for any stuff or part of Winslow, even any scantling of your soul, is Winslow no more, but is now itself the sea.

Triton was the son and herald of the sea-god Poseidon and mermen were sometimes called 'tritons' after him (as in Josselyn's account). Wake seems to be invoking Poseidon but the 'slithering tentacled tail' also makes me think of H.P. Lovecraft's squid-like deity Cthulhu, and Eggers has said that Lovecraft's weird fiction was one of the film's inspirations.

 

The references to classical mythology are more prominent than the nods to Lovecraft, though, and I don't think they are out of place in a film set in New England. Many of the original English colonists were well-versed in classical mythology. For example, Thomas Morton invoked a variety of pagan gods (including Neptune, Triton, Priapus and Ganymede) at his 1628 May Day celebration in what is now Quincy, Massachusetts. Of course, the Pilgrims at Plymouth weren't too happy about this and burned down his settlement, but even the die-hard Puritans of Boston and Connecticut knew their ancient gods. For example John Winthrop Jr., the son of Massachusetts's first governor, was so skilled in alchemy and medicine that his peers dubbed him the Christian Hermes. 

In 1776, four captive British sailors carved a statue of Bacchus, the god of wine, for an innkeeper in Windham, Connecticut, while in 1820 Ephraim Lyon of Eastford, Connecticut started a church of Bacchus and declared himself its priest. Perhaps Lyon was just really the town drunk, but in the 1800s many large New England towns also built athenaeums, libraries named after the Greek goddess of wisdom. Many athenaeums were decorated with statues of her. In downtown Boston there are also several large mercantile buildings from the late 19th century decorated with statues of Poseidon and Hermes as well. New England was founded by Puritan Christians but they brought the gods of their ancestors with them as well. We can try to escape the past but it usually catches up with us, which is one of the film's themes.

MY THOUGHTS 

I'm the perfect audience member for The Lighthouse. I like horror movies, I like art films, and I love weird old New England stuff. I enjoyed The Lighthouse and will probably see it again. It had good actors, beautiful cinematography, sea shanties, writhing tentacles, a sinister seagull, and something gruesome in a lobster trap. 

I'm curious how audiences will react to the movie. When I saw The Witch some audience members were puzzled and angry after it ended because it was not the straightforward horror film they expected. The Lighthouse is much weirder than The Witch and even harder to categorize. Is is a dark slapstick comedy? A mythopoetic meditation on the price we pay to tell the truth? A 19th century nautical version of The Odd Couple with repressed erotic undertones? If you see it let me know what you think.

The Nantucket Merman

I've always liked monsters. Well, at least I like reading about them. I've never met one face-to-face but plenty of New Englanders have. People see all sorts of things around here: Bigfoot, extraterrestrial creatures, pukwudgies, and even the occasional lake monster.

What people don't see much of these days is mer-people. Mermaids and mermen don't seem to be very common around here now, but in the past they were apparently more plentiful. For example, an aggressive triton was seen off the coast of Maine in the early 1600s, while a sailor named Captain Dodge exhibited a mermaid's corpse in a Boston museum in the 1820s.

A merman was even seen off the coast of Nantucket. The year was 1714, and a minister named Valentyn was sailing past Nantucket's Great Point when it happened. Here is a quote from the good reverend's journal:

“It appeared like a sailor, or a man sitting on something; and more like a sailor, as on its head there appeared to be something like an English cap of the same color.

We all agreed he must be some shipwrecked person. After some time I begged the captain to steer the ship more directly toward it. … We had got within a ship’s length of him, when the people on the forecastle mad such a noise that he plunged down, head foremost, and got presently out of sight.

The man who was on watch at the masthead delared that he had… a monstrous long tail.” 

There's something a little creepy about that account. I can imagine the ship's crew going from "Oh, look there's a sailor in the water" to "Oh crap, that guy's got a giant fish tail!" in just a few panicky moments. I know I would.

That may not have been the only sighting of a mer-person near Nantucket. According to folklorist Edward Rowe Snow, the keeper of Great Point's lighthouse claimed to have seen something humanoid crawl out of the ocean and head into nearby Coskata Woods in the early 1900s. Some other locals claimed to have seen signs of something living in the same forest.

Great Point Light from Wikipedia.

The Coskata Woods are very old and have not been logged since 1711. It makes sense that an ancient primal sea being would want to visit an ancient forest.

Perhaps memaids and mermen are still swimming in the waters off our coast. I hope so, because I do like monsters. And make no mistake, mer-people do have a monstrous side. Folklore tells of mermaids who sink ships by raising storms or abduct handsome sailors to be their lovers, while mermen and tritons sometimes attack young women walking alone on the beach. So though I hope there are still some mer-people out there, I don't want to meet one face-to-face, and hope you don't meet one either.

 *****

Most of the information about the Natucket merman can be found in Edward Rowe Snow's book Legends of the New England Coast. 

Sex, Whales and Witchcraft: The Legend of Ichabod Paddock

I've lived in New England my whole life, but I have only been to Nantucket once. It was a memorable trip. The island is full of beautiful historic old homes and lots of upscale amenities. It's a great spot for a posh summer vacation.

This was not always the case. Once it was a desolate isolated island. Herman Melville describes it in Moby Dick (1851):

Nantucket! Take out your map and look at it. See what a real corner of the world it occupies; how it stands there, away off shore, more lonely than the Eddystone lighthouse. Look at it — a mere hillock, and elbow of sand; all beach, without a background. There is more sand there than you would use in twenty years as a substitute for blotting paper. Some gamesome wights will tell you that they have to plant weeds there, they don’t grow naturally; that they import Canada thistles; that they have to send beyond seas for a spile to stop a leak in an oil cask; that pieces of wood in Nantucket are carried about like bits of the true cross in Rome; that people there plant toadstools before their houses, to get under the shade in summer time; that one blade of grass makes an oasis, three blades in a day’s walk a prairie...  

This does not sound like the summer playground of millionaires. It was not, but it was the whaling capital of the world. Melville himself sailed on the Charles and Henry, a Nantucket whaling ship, in 1842, which was one of the inspirations for Moby Dick.

Although the Wampanoag who originally lived on Nantucket may have occasionally killed whales, whaling as an industry only began there in 1690 when Ichabod Paddock arrived from Cape Cod. Paddock was a Quaker, an accomplished whaler, and a semi-legendary figure.

Image from here.

There are several legends about Paddock. For example, one claims that while he was in the Pacific he threw his favorite harpoon into a whale. The harpoon reached its mark, but the whale escaped. Thirteen years later, he was once again in the Pacific. His ship sighted a whale, which the crew successfully captured and killed. While they were cutting it up they found a harpoon embedded deep in its flesh. It had the initials "I.P." on it. It was the same whale Paddock had harpooned thirteen years ago.

One of the weirder legends tells how Paddock's ship was pursuing a whale named Crookjaw. No matter how hard Paddock's crew threw their harpoons they just bounced off Crookjaw. Even Ichabod himself could not harpoon the whale. Frustrated and unwilling to admit defeat, Ichabod put a knife between his teeth and dove into the ocean. As his terrified crew watched he swam right towards Crookjaw.

Crookjaw opened his mouth and swallowed Paddock whole.

Much to his surprise, Paddock did not die inside the darkness of a whale's stomach. Instead, he found himself inside a comfortable ship's cabin. Lanterns hung from the ceiling, and a large feather bed sat against one wall. A table filled the center of the room, and two people were playing cards at it. One was a beautiful blonde woman who had a shining green fish tail instead of legs. The other was a dark-clad man who smelled of fire and brimstone.

When the card players saw Paddock the dark man threw down his cards in anger and disappeared. The blonde woman (mermaid? witch?) smiled at Paddock.

"What were you wagering on?" he asked her.

"Why you, of course." She smiled again.

Meanwhile, the crew of Paddock's ship waited for some sign of their captain. After swallowing him Crookjaw just sat immobile, floating silently as the waves splashed against him. The crew didn't know what else to do. Their harpoons and knives were useless against the whale.

After several hours, Crookjaw opened his mouth and Paddock swam out on a torrent of water. He climbed back aboard his ship. "Boys," he said with a big grin, "We need to come back here tomorrow. I've got more work to do!"

Paddock and his crew came back the next day, and once again Paddock swam into the whale's mouth. His crew waited for hours while Crookjaw floated passively in the water until their captain emerged from the whale. Then they came back the next day. And the day after that.

This went on for quite a while. Rumors began to circulate around Nantucket that Paddock had been seduced by a devilish woman who lived in a whale, and they eventually reached the ears of his wife. Mrs. Paddock was young, beautiful, and unwilling to cede her husband to a witchy mermaid. She developed a plan.

One day as Paddock was about to set sail his wife ran down the wharf to his ship. "Husband!" she cried, "Husband! I have brought you a gift."

In her hands she held a glistening new harpoon. It's sharp tip shone brightly in the sun. Paddock thanked her and set sail for his assignation with her gift in his hand. Mrs. Paddock smiled a cold smile as the ship left the wharf.

When the ship found Crookjaw in his usual spot Paddock prepared to dive into the sea, but one of his crew stopped him. "Captain," he said, "Don't you think you should try that new harpoon your wife gave you? It's mighty fine. Maybe it can pierce the monster's skin."

Grudgingly, Paddock took up the harpoon. He knew it couldn't harm the enchanted whale, and he was eager to see his marine mistress. Still, he needed to keep up some level of appearance. He drew back his arm and threw the shining harpoon at Crookjaw.

The harpoon easily pierced the whale's hide, and with a hideous groan Crookjaw rolled over on his back. He was dead. Mrs. Paddock had asked a local blacksmith to forge a harpoon with a silver tip, and silver is one metal that always defeats witchcraft.

The crew didn't find a ship's cabin inside the whale when they cut open its stomach, just bile and half-digested fish. Paddock searched desperately through the offal for some sign of his lover, but all he found was long yellow seaweed and a few seashells.

*****

This story appears in quite a few places and with several variations. In some versions the seductress is clearly a witch, and in others a mermaid. I found this version in Nathaniel Philbrick's Away Off Shore: Nantucket Island and Its People, 1602 - 1890. Philbrick notes that Paddock was eventually kicked out of the Quakers after he "sailed about in a vessel where dancing was performed and he a partaker therein." The story about Crookjaw may be a legend but it seems to say something true about Paddock's personality.

Witches and sailors have a fraught (and often sexual) relationship in New England folklore. For example, Captain Sylvanus Rich was seduced by a witch who gave him the "sweet milk of Satan," while Skipper Ireson was ridden like a stallion at night by a witch as punishment. The Paddock legend is more elaborate but clearly fits in this genre.

Hercules, Hesione, and the Sea Monster, from the Museum of Fine Arts

Heroes have been swallowed by giant sea monsters throughout history. For example, Hercules was swallowed by a sea monster that came to eat the Trojan princess Hesione. He emerged alive several days later after killing the monster from the inside, but not before losing all his hair due to the acid in the monster's stomach. Two lessons to learn: Hercules is invulnerable but his hair isn't, and sea monster acid is nature's depilatory.

Jonah and the Whale, Pieter Lastman, 1620

The most famous person to emerge from a whale's stomach is of course the Biblical prophet Jonah. Jonah was told by God to preach in Nineveh, but didn't want to because he was afraid of the hostile reception he'd get there. He booked passage on a ship going in the opposite direction, but the crew threw him overboard after God besieged the ship with a storm. A whale swallowed Jonah, swam to Nineveh, and vomited him up on the shore. Jonah got the message and started preaching. 

In the movie Pinocchio, Gepetto is swallowed by a whale, and Pinocchio eventually goes inside to save him. This act of sacrifice turns the puppet Pinocchio into a real boy. 

Hercules, Jonah and Pinocchio find heroism, destiny and redemption inside their respective whales. Ichabod Paddock finds witchcraft, secret sex and the Devil. But after all, this is New England.

Captain Dodge and the Mermaid

Many years ago, when I was just a small boy, my parents took me and my brother to visit Harvard's museums. I remember seeing the vast collection of taxidermied animals, the glass flowers, and the dinosaur skeletons, which were pretty cool to me back then. (They're still pretty cool now!)

The exhibit I remember best, though, was something called the Fiji Mermaid. This was a small, mummified corpse of a hideous mermaid. Of course, the placard next to the glass case explained that it was not really a mermaid, but was actually a 19th century hoax someone created by sewing a monkey's torso onto a fish's tail. Hoax or not, it was seared into my memory, and the name Fiji Mermaid has stuck in my head ever since. It's one of those things you can't unsee once you see it.

Harvard's Fiji Mermaid. Now you can't unsee this thing either...

I think the Fiji Mermaid is probably the most famous mermaid to visit Boston's shores - it was once owned by P.T. Barnum - but it is not the only one. In the 1820s, decades before the Fiji Mermaid appeared, the whole city was talking about another mermaid who came to visit.

The story starts in 1822 with a man named Captain Dodge, who sailed into Boston Harbor bearing an incredible tale. Dodge said he had met a mermaid, captured her, and left her behind on an island. Dodge seemed quite fond of the mermaid and said he was hoping to go back and teach her human language and culture. He was like a nautical Henry Higgins, I guess.

The Bostonians he met were quite skeptical. It was only the 1820s but even then people in Boston prided themselves on their education and ability to sniff out a fraud. Dodge only had a drawing of his mermaid as proof, and people were unwilling to believe Dodge's story until they saw the see the real thing. Vowing to prove himself no liar, Dodge sailed off, promising to return with the mermaid.

Months passed. Captain Dodge's ship reappeared in Boston Harbor, carrying cargo from around the world but not the one thing everyone was most eager to see: the mermaid. Where was she, the crowds at India Wharf asked? Captain Dodge explained that sadly he found only her corpse when he returned to the island where he had left her. Apparently dragging a mermaid out of the ocean and leaving her stranded on an island was really bad idea. She couldn't survive outside of a marine environment.

Shouldn't someone should have charged Dodge with murder, or at least manslaughter? No one did. Instead people just ghoulishly demanded to see the corpse. I'm suppose most Bostonians were just skeptical of the whole story and didn't really think there was a mermaid to kill anyway. However, some local naturalists approached Dodge and politely asked him to bring the dead sea maiden to Boston for anatomical study. This, they argued, would help prove he was telling the truth. Dodge equivocated and sailed off without promising anything to anyone.

In 1824 Dodge once again sailed into Boston Harbor -  this time with the body of the mermaid on board his ship. Her corpse was enclosed within a glass case. Dodge made arrangements with the New-England Museum to exhibit the mermaid in their building on Court Street. Admission cost twenty-five cents. The mermaid was not allowed to be examined outside of her glass case. Those local naturalists were out of luck.

The New-England Museum (now gone), from Wikipedia

So what exactly did Dodge have inside the case? Was it an actual mermaid? Here is a description from an 1824 issue of The New York Mirror And Ladies Literary Gazette:

The question asked, is, Is it really and truly, bona fide, a Mermaid? We answer, go and see. Examine for yourself. If the skin of a large cod-fish stuffed, with the skeleton of a child’s body put on in the place of the cod’s head, the jaws and teeth of a cat inserted into that which represents the head of the child, and the whole, except for the scaly part enveloped in a bladder, or some other skinny substance, and smoked well with burning camphor, can make a Mermaid, then as sure as a fish is a fish… there is a Mermaid now to be seen in the room adjoining the New-England Museum…

So no, it was not an actual mermaid. Much like the Fiji Mermaid, it was created from the parts of various other animals. Let's hope it wasn't actually made from the body of a child.

Dodge had been sailing in the Pacific before he came to Boston with his mermaid, which helps explain where he got it. According to Wikipedia, fishermen in Japan and other Pacific nations often created these "mermaids" out of animal parts for religious reasons. They're kind of like the Pacific island version of jackalopes, I suppose. Dodge had purchased it during his voyage and then brought it back to New England to show. Did he think it was really a mermaid, or did he know if was fake? That's hard to say, but I suspect he knew it was a hoax. Otherwise, he would have let the naturalists examine it.

Dodge's mermaid corpse was one of the first to appear in the United States, but others soon followed, including the more famous Fiji Mermaid, which was promoted by none other than the great circus impresario P.T. Barnum. There is some debate over whether Harvard's mermaid is actually the same one that Barnum owned, but if not it's still a good example of these mummified mermaids. I think Loren Coleman's Cryptozoology Museum in Portland Maine has one as well. There are quite a few of these taxidermy oddities out in the world,and the term "Fiji Mermaid" is often used to describe any of them. 

As far as I know, no one has ever found an authentic mermaid (or merman) corpse. Skeptics might say that's because they don't exist, but perhaps mermaids are really manifestations of the ocean's spirit, beautiful but dangerous, and cannnot ever be captured. As for Dodge's mermaid, she long ago disappeared and hasn't been seen since.

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My sources for this week were Edward Rowe Snow's 1957 book Legends of the New England Coast, and also this great fairy tale blog which led me to the quote from The New York Mirror.