Death's Head, Cherubs and Urns: Gravestone Art in Bradford Burial Ground

This past Saturday was cool and pleasant, and you could sense that fall is on the way. So why not get into the autumnal mood and visit a historic old cemetery? We decided to visit Bradford Burial Ground in Bradford, Massachusetts.

In 1665 settler John Heseltine gave land to the town of Bradford to be used for a church and a cemetery. The church is long gone, but the cemetery still remains and is now on the National Register of Historic Places. The oldest gravestone is from 1689, but it is believed that there are older burials in the cemetery along with multiple unmarked graves. The Burial Ground is sometimes called the Ancient Burial Ground, which is kind of a nice name.

Walking through the cemetery we noticed the three major motifs you see on old gravestones in Massachusetts: death's heads, cherubs, and willows and urns. Death's heads are the earliest motif of the three, appearing first in the 1600s. Cherubs appeared by the mid-1700s, while the willow-and-urn motif became popular later in that century. Some historians have argued that the evolution of New England funerary motifs arose from changes in New Englanders' religious views, with the death's head representing the grim Puritan world-view, the cherub a more humanistic approach to religion, and the willow-and-urn a more intellectual one. Others have claimed this is not true and that the motifs just changed with the fashions of the time. Specific motifs lasted longer in some towns than others due to the influence of local stone carvers, and there is quite often chronological overlap between the motifs in the same cemetery. 

DEATH'S HEADS

The Bradford Burial Ground has a nice assortment of stones engraved with death's heads. There's something morbid but also charming about these stones. Maybe because this motif is frequently used to illustrate books and on Halloween decor I've just gotten used to it. It also is one of those quintessentially New England things, like clam chowder made with cream or old white wooden churches. 

This stone is beautiful and very well-preserved. 

The flowers carved on the side borders contrast with the winged skull. 

This death's head is more abstract than the others and its wings are replaced with flowers.  The stone also has what looks like a typo: "Hear lyes buried...", but spelling was less circumscribed in the early 18th century. 

What looks like another abstract death's head, but without the typo. Is this  even supposed to be a skull or is it a face?

CHERUBS

In my mind cherubs are those cute little angels that appear on Valentine's Day cards and in Renaissance paintings. The cherubs in Bradford Burial Ground are definitely not cute. They're actually quite grim. Latin inscriptions (memento mori) appear on the cherub stones, but not on the earlier death's head stones. 

Similar to the cherubs are these carvings, which are sometimes called "portraits." They aren't supposed to actually look like the person buried under them, but are symbolic representations of a human. Like the cherubs they are somewhat grim and have the Latin "memento mori" under them. 

WILLOW AND URN

These stones are less morbid and grim than the earlier stones. They are more melancholy. The willow and urn were symbols of mourning from the ancient Mediterranean and appeared in New England as part of the Classical revival in art and architecture. 

A more ornate carving adorns this stone. 

Although they are more gracious, some of the willow-and-urn stones are inscribed with dire warnings to the living. For example, one stone has this carved on it;

Think blooming youth when this you see
Tho young yet you may die like me
Like you a rosy youth was I
Yet in my youth was called to die

Another stone tells us this:

Think, friends, when you these lines have read
How soon we're numbered with the dead
Our years are few and quickly fly
O friends remember you must die

Consider yourself warned. Carpe diem! 

AND THE REST...

Not every gravestone fits into one of those three categories (and maybe those portraits are really a fourth category). For example, some are just decorated with a floral motif: 

Others feature just a name but with no decoration at all, not even a death date. Were these the graves of paupers or people whose families couldn't afford more elaborate gravestones?

And this headstone features a finger pointing heavenward, letting us know where the grave's occupant has gone. This is a motif I've seen in a few other cemeteries in this area, but it's not as common as some of the others. 

I hope you had a great summer and are excited for the coming of autumn!

Early New England Gravestone Styles: From Morbid to Contemplative

I enjoy walking around old cemeteries, and I bet a lot of my readers are the same. The really, really old graveyards are the most interesting to me. They give a glimpse at what life (and death) was like here centuries ago.

The earliest gravestones you can find are from the 17th century, when this area was a hotbed of orthodox Puritanism. Although the Puritans apparently weren't as grim as many people think (they did invent Thanksgiving, after all!), their religious outlook was still pretty gloomy. Gravestones from this era are decorated with skulls, usually winged.

Grave of Edward Dean, 1716, Charter Street Burying Ground, Salem

The Puritans were staunch Christians, but their religious beliefs didn't provide a lot of hope for the individual. Only God knew who would be admitted to Heaven, and He didn't tell anyone. Even the most devout people went through life fearing not only death, but that they would be sent to Hell by God. I've read somewhere that young Puritan children were often sent to look at open graves and watch burials so they could meditate on their own mortality and innate sinfulness.

The fears created by Puritan religious beliefs were probably compounded by how unstable the New England settlements were in the 17th century. Indian attacks, war with the French, piracy, outbreaks of disease, and the occasional witch hunt all made the world feel threatening. No wonder they carved skulls on their tombstones.

Grave of Sarah Gardner, 1791, Charter Steet Burying Ground, Salem

Although death's heads continued to be used in the 18th century, they were slowly replaced by a new image: cherubs. It's almost like the winged skulls grew their skin back! Cherubs started to appear shortly after the Great Awakening swept over New England. The ministers of the Great Awakening emphasized personal revelation and close study of the Bible, rather than relying solely on official religious authorities. Many schisms split apart the New England churches, and people found new enthusiasm for religion. There was also an emphasis on resurrection, which is reflected the cherubs, who are often smiling. The settlements at this time began to feel more permanent, and there were fewer external threats to New England.

Grave of Captain Clifford Crowninshield, 1809, Charter Street Burying Ground, Salem

Gravestones decorated with willows and urns slowly replaced the cherubs in the 19th century. The urn-and-willow motif apparently began in Cambridge, Massachusetts, which was a center for intellectual trends like the Greek revival, which sought a return to classical forms in art and architecture. Also spreading across New England from Harvard University was Unitarianism, which brought a more intellectual approach to the old Puritan congregations. Both skulls and cherubs were too visceral for this new, more philosophical strand of Christianity. In the 19th century New England was the intellectual and financial center of the United States, and I think the new peace and prosperity are probably reflected in this soothing grave art as well.

If you want to read more about this, you should check out "Death's Head, Cherub, Urn and Willow," a famous article printed in 1967 in Natural History. The authors lay it all out in much greater detail than I did. Have fun exploring your local graveyard!