These rituals were often called "projects," which sounds much less threatening than ritual, rite, or even magic spell. Still, they are clearly folk magic and folklore books from the 19th century contain many accounts of Halloween projects. They were performed with simple ingredients that almost anyone could acquire, like a cabbage, cornmeal, or a small dish of dirt.
One popular project requires nothing more than a ball of string. To find out the identity of your true love, do the following at midnight on Halloween. Take a ball of string and walk to a well, an old barn or an abandoned house. If none of those are available even a cellar or basement will do. You just need an empty structure of some kind.
Turn your back and throw the ball of string over your shoulder into the barn, well or cellar. Then, with your back still turned, began to wind the string back into a ball. As you wind it, recite the following rhyme:
I wind, I wind, my true love to find,
The color of his hair, the clothes he’ll wear,
The day he is married to me.
Your true love should appear and wind the string with you.
Someone in Maine contributed that to Fanny Bergren's 1896 book Current Superstitions. I can see why it would be appealing to a young person. You get to go someplace spooky at midnight (on Halloween no less), there's a special rhyme, and love is involved. It all sounds like harmless fun, right?
I think so, but apparently not everyone shares my opinion. A cautionary tale about this type of "project" appears in Frederic Denison's 1878 book Westerly (Rhode Island) and Its Witnesses. According to Denison, during the Revolutionary War two young women named Hannah Maxson and Comfort Cottrell were staying at the Westerly home of one Esquire Clark. One day while Mrs. Clark was bed-ridden from illness and the Esquire was away on business the two young ladies had to entertain themselves.
They decided to do some magic. Taking two balls of yarn, Hannah and Comfort went to a well and "tried to bring their beaus, by throwing each her ball of yarn into the well, and winding them off while they severally repeated a verse from the Scriptures, backwards." Completing their project, they proceeded to the front of the house to await the arrival of their true loves.
As the sun began to set they saw a tall figure walking down the road towards them. At first they were excited. Was it a rich handsome man? But as the figure drew nearer their excitement became terror. The tall figure was a monster! "It was some eight or ten feet high, and marched with a stately step, but with eyes, as they said, 'as big as saucers,' and breathing flame from his distended jaws." Hannah and Comfort fled into the house and hid behind the bed where Mrs. Clark lay ill and incapacitated.
At this time Esquire Clark arrived home, entering through the back door. He could see through the glass panes over the front door "the steady unmistakable gaze of the demon" looking into the house. Being a pious man, Esquire Clark immediately began to pray. At the sound of the holy words the monster departed into the darkness. Alas, its departure was too late for Mrs. Clark, whose weakened constitution could not endure the supernatural excitement and who died soon afterwards. The two young women gave up their experiments in magic and became devout Christians.
Frederic Denison found this story in a November 1860 issue of The Narragansett Weekly. It's author was one Deacon William H. Potter, a former resident of Westerly. Being a religious man, I guess his aim was to show the dangers of toying with the supernatural. I'm sure you noticed that the women in this story don't recite a cute little rhyme while winding the yarn. Instead, they recite Christian psalms backwards, a practice associated with summoning the Devil. The moral: folk magic will really summon the Devil, so don't do it!
Deacon Potter adds a strange epilogue to the story. Not being content to illustrate the dangers of magic, he goes on to claim the magic was not even real. According to Potter, the demon was actually a young neighbor, Daniel Rogers, who had seen Hannah and Comfort working on their project and decided to play a prank on them. Once it began to get dark he put a large pumpkin on his head and walked towards their house. He initially planned to reveal his identity but decided not to after seeing the terror he caused and learning of Mrs. Clark's death. Only seventy years later did he tell the truth about what had happened.
Gladys Tantaquidgeon, an anthropologist and Mohegan medicine woman, recorded a similar story from the Wampanoag of Martha's Vineyard in 1928. In this version of the story, a minister on Martha's Vineyard had four daughters. One night while he was away preaching they decided to try a "project." The details are not given, but it involved removing their undergarments and hanging them by the fireplace. Once they complete their spell a storm erupts and they hear something clawing at the door. The four sisters hide in terror. When their father comes home he sees a large monster, "part human and part animal" trying to enter the house, which departs upon his arrival. He warns his daughters to never play with magic again.
Tantaquidgeon also recorded a version of the string project in 1928, but with a slightly different rhyme: "Here I wind, here I wind, here I hope my true love find." Her informant told her that your beloved would emerge from the well or cellar holding the other end of the string.
The Puritan clergy who led New England's 17th century colonization were opposed to magic in all its forms, and you can still see that mentality lingering centuries later in these stories. I think you can also see concerns about women's independence and sexuality as well. These stories say, "See what happens when women try to control their own love lives? The Devil gets involved." Sadly I think that's another mentality that still lingers today.
Frederic Denison found this story in a November 1860 issue of The Narragansett Weekly. It's author was one Deacon William H. Potter, a former resident of Westerly. Being a religious man, I guess his aim was to show the dangers of toying with the supernatural. I'm sure you noticed that the women in this story don't recite a cute little rhyme while winding the yarn. Instead, they recite Christian psalms backwards, a practice associated with summoning the Devil. The moral: folk magic will really summon the Devil, so don't do it!
Deacon Potter adds a strange epilogue to the story. Not being content to illustrate the dangers of magic, he goes on to claim the magic was not even real. According to Potter, the demon was actually a young neighbor, Daniel Rogers, who had seen Hannah and Comfort working on their project and decided to play a prank on them. Once it began to get dark he put a large pumpkin on his head and walked towards their house. He initially planned to reveal his identity but decided not to after seeing the terror he caused and learning of Mrs. Clark's death. Only seventy years later did he tell the truth about what had happened.
Gladys Tantaquidgeon, an anthropologist and Mohegan medicine woman, recorded a similar story from the Wampanoag of Martha's Vineyard in 1928. In this version of the story, a minister on Martha's Vineyard had four daughters. One night while he was away preaching they decided to try a "project." The details are not given, but it involved removing their undergarments and hanging them by the fireplace. Once they complete their spell a storm erupts and they hear something clawing at the door. The four sisters hide in terror. When their father comes home he sees a large monster, "part human and part animal" trying to enter the house, which departs upon his arrival. He warns his daughters to never play with magic again.
Tantaquidgeon also recorded a version of the string project in 1928, but with a slightly different rhyme: "Here I wind, here I wind, here I hope my true love find." Her informant told her that your beloved would emerge from the well or cellar holding the other end of the string.
The Puritan clergy who led New England's 17th century colonization were opposed to magic in all its forms, and you can still see that mentality lingering centuries later in these stories. I think you can also see concerns about women's independence and sexuality as well. These stories say, "See what happens when women try to control their own love lives? The Devil gets involved." Sadly I think that's another mentality that still lingers today.
*****
Note: I found the Tantaquidgeon material in William Simmons's Spirit of the New England Tribes.
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